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Buah Pukul Mersing



The Essence and History of Lian Padukan Silat (Buah Pukul Mersing)

This information was given to me by Mohammed Hasyim in February 2001 and appears in slightly different form as an article in both the Silat Warrior magazine and on the Silat Warrior Website.

Lian Padukan is a form of Malay martial art (Buah Pukul) and yet it is quite distinct from other forms of Malay martial art. Lian means "way" while Padukan means "fortified strength".

The Founder

The founder of Lian Padukan in its present form is Mohamed bin Chik who is more popularly known as Pak Mat Kedidi.

Pak Mat Kedidi started learning the art of Buah Pukul from his father when he was a young boy. As he grew Pak Mat began to acqire the finer skills of Buah Pukul from such legendary Buah Pukul Masters as Pak The Muhamed Yassin bin Kubung, Pak Chik Sani bin Abu Samah and Abdullah Rahman bin Awang Chik (who was also known as Chu Aman) in the early 1940's..

It was under the instruction of Chu Aman that Pak Mat finally received the Nukul (document of lineage making him the lineage holder). This gave him the responsibility of taking over the teaching of the art from Chu Aman. On this hand-written document is recorded the lineage of all Buah Pukul masters and it is traditionally handed down from master to master as evidence that he has been granted the right to inherit and teach the art of Buah Pukul in the 1950's.

The lineage taking pride of place on display at the home of Cigu Mohammed Hasyim

Notwithstanding his achievements in Buah Pukul, Pak Mat also exposed himself to the learning of other forms of martial art like Tomoi (Thai Boxing) and other forms of silat like Sendeng and Sunting around the 1960's.

Being a constantly innovative person Pak Mat gradually developed Buah Pukul into an even more aggressive and dynamic street fighting martial art that has earned admiration and respect from masters of many other forms of martial art. With this development Pak Mat founded Lina Padukan in the 1970's.

Due to his advancing age (Pak Mat is now approaching 80) on the 20th of July 1999 Pak Mat officially chose Mohammed Hasym, his most trusted student, to receive the Nukil as Lian Padukan's next master, and entrusted him with the task of further spreading the art.

To this day Pak Mat remains the founder and Elder Master (Guru Tua) of Lian Padukan with Mohammed Hasym at the helm of Lian Padukan as the Master (Guru Muda).

History

Lian Padukan finds its roots in a Malay art of self-defence known as Buah Pukul Mersing which was founded in the late 19th century in the State of Johor in Malaysia. Prior to that Syed Abdul Rahman Al-Yunani, a Chinese Moslem of Arab descent had taught his form of martial art to Awang Daik, a magistrate in Mersing. It was Awang Daik who created the term Buah Pukul meaning "striking techniques" to refer to his introduction of this new art into his own silat knowledge.

This resulted in an aggressive and lethal combat style martial art that was unique and distinct from other forms of silat extant at that time. Due to this uniqueness, Buah Pukul Mersing gained a reputation as an undefeatable art and silat exponents from as far away as Indonesia came to learn. Indeed this art was so effective and lethal that Sultan Ibrahim the ruler of Johor decreed that the art should only be taught to those who lived in the Sultan's Palace and the Royal bodyguards. The words Lian Padukan come from the word Paduka meaning King or Sultan

The art, however, found its way to the general population in the guise of different names such as Silat Gayang Lima and Silat Senjata Lapan.

The Essence of Lian Padukan

The concepts of Lian Padukan have not departed much from the concepts of the original Buah Pukul.

Basically Lian Padukan teaches a very direct and aggressive attacking style. The essence of Lian Padukan lies in the exponent's ability to launch pre-emptive techniques to the opponent thereby cutting down the ir opportunity to launch any form of attack or counter.

Once a Lian exponent moves in and engages in close-quarter strikes he would continuously maintain pressure through a barrage of moves and attacks that will result in the total collapse of the opponent's defence until complete submission.

The Lian exponent's attack is only complete when his opponent is completely defeated.

Lian Padukan is therefore not a passive or defensive art but rather is proactive, aggressive and lethal.

Jurus

Lian Padukan contains four basic moves called Jurus that introduce the use of perisai, fists, elbows, knees and foot techniques. The Perisai is a technique developed by Pak Mat in a form that is not originally found in the traditional Buak Pukul.

Perisai is the use of the knife hand in both attacking and counter-attacking moves to effectively cut down the opponent's movement and offensive ability whether in terms of direct frontal movement or inside/outside lateral movement. Perisai is one of the most important techniques of Lian Padukan and is employed at all levels of learning and skill.

Lian

After completion of the Jurus the student will proceed to the level of Lian. In Buah Pukul the Lian means movements or patterns, similar in concept to the kata of karate or the forms of Chinese martial arts.

There are four levels of Lian with each level containing four Lians to be mastered. At the Lian level the student is introduced to those specific techniques and applications which are integral to each Lian. The level of complexity and skill of the student progresses as he progresses with the Lian.

In Lian, the student learns techniques and tactics such as Rebut (seizing the opponent's line of defence), Reju (continual pressure on the opponent), Turut (following the opponent's direction of movement), Titik (immobilising the opponent's arms) and Makan Gerak (pre-emptive strikes and moves).

Fighting Strategies

Lian Padukan primarily requires its exponent to execute a continuous barrage of hand, elbow, knee and foot strikes in combination. Lian does not emphasise locking and grappling as the means to end a fight. In Lian Padukan the primary motive is to knock down the opponent with the most pain-inflicting movements in the shortest time. Once the opponent is incapacitated, the Lian exponent has the choice of ending the fight with knock-out strikes or of restraining the opponent using locking techniques.

Mastery of Lian Padukan

On average the entire Lian Padukan syllabus may be completed within seven to eight months, based on four to six hours of training per week.

Mastery of the art, however, lies not in memorizing the techniques but rather in having a full understanding of the principles and mechanics of Lian. The understanding (Kefahaman) of these principles and mechanics will eventually allow the student to develop his own style of fighting.

The student who diligently practises this style will find that mastery of the art of Lian Padukan will transform him into a deadly, highly effective and efficient fighter.

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